A historic church as a concert hall: 400 years of St. Augustine’s church
What is now the AMUZ concert hall was once the monastery church of the Augustinian friars. This order came to Antwerp four hundred years ago, where they were given premises previously occupied by a brewery in Everdijstraat. By buying more buildings and adding extensions, the friars were able to expand their monastery to such an extent that, seventy years later, it occupied the whole area between Everdijstraat, Kammenstraat and Oudaan. The church was the first major construction project by the future Augustinian monastery. It was built between 1615 and 1618 on the orders of Wenzel Coebergher, the court architect of Archduke Albrecht and Archduchess Isabella. The style of the building is described as early Baroque, but clear traces of local Renaissance traditions can still be found, particularly in the facade. This facade, taller than the building behind it, conceals a threepart nave with no transept and a relatively large choir. The interior reflects far more of the modern architecture of the time: the Baroque. A gate in the southern nave leads to the Chapel of Our Lady. This winter chapel dates from 1857. A curious piece of neo-Byzantine architecture with overwhelming murals, it has been refitted as a foyer. In its present-day role as a concert hall, the church is the heart of AMUZ, which brings together the past and present in harmony. Thus St. Augustine’s Church has become the setting for a respectful approach to art and cultural history within a contemporary policy that focuses on the public.
ST. AUGUSTINE’S CHURCH AND AMUZ: THE BOOK
To mark the occasion of the 400th birthday of St. Augustine’s Church, AMUZ has produced a book
about its past and present. Besides contributions from specialists to the book’s content, it presents an
abundance of magnificent images, from the historic interior to the contemporary art works by Jan Fabre.
25 x 29 cm, 192 pages, € 29,99
Dutch & English
Published by Davidsfonds Uitgeverij
ZEFIRO TORNA : SOUND SKETCH I / AUGUSTINE IN EXSTASY
Especially for the 400th birthday of St. Augustine’s Church and the celebrations of the Baroque at AMUZ and in Antwerp, Zefiro Torna has developed a soundscape for AMUZ with the sound artist Bram Bosteels: Sound Sketch I / Augustine in Ecstasy. Bosteels has created a world of sound from which a piece of music emerges. Zefiro Torna selected a specific collection of compositions for this: Paradisus Sacris Cantionibus Consitus by Peter Philips. This music was first printed by Phalesius in Antwerp in 1628. Philips’ motet, O si quando videbo gaudium, has similar content to the writings and ideas of the patron saint and church father Augustine, so it is hard to imagine a more suitable collection of music. Zefiro Torna’s performance of this music, featuring the soprano Annelies Van Gramberen and theorbo player Jurgen De bruyn, has been transformed by Bram Bosteels into the soundscape Sound Sketch I / Augustine in Ecstasy, which attunes the ear to the elusive sounds of the past. Sound as the presence of absence, which you can hear during your visit to AMUZ at St. Augustine’s Church.
Antwerp Baroque 2018. Rubens inspires
At Antwerp Baroque 2018. Rubens inspires, the city of Antwerp will be rediscovering its Baroque roots. This festival of culture in the city pays tribute to Peter Paul Rubens and his Baroque cultural heritage. Rubens is still one of the most influential artists of all time, as well as being Antwerp’s most famous resident. He personifies the Baroque and is an important source of inspiration for contemporary artists and the atypical lifestyle of the city of Antwerp and its people. Antwerp Baroque 2018 tells a story of the Baroque then and now, and brings the historical Baroque into dialogue with contemporary art.
The city festival shows Antwerp in an exciting new light: simultaneously chic and rough around the edges, historic and contemporary, burgeoning with the arts and the good life. The artistic programme is unabashedly extrovert, combining Rubens’ cultural heritage with artistic idiosyncrasy. Besides a core programme of exhibitions in the museums and churches, the Baroque Festival will include a varied programme of music, theatre, literature, street art, photography, installation art, dance, performances and walks in the city, developed by and in partnership with a whole range of famous names from the Antwerp arts sector.
As part of Antwerp Baroque 2018. Rubens inspires, AMUZ will be organising the festival 1618 | BEFORE & BEYOND. 1618, the year in which St. Augustine’s Church in Kammenstraat was opened, marks an era in which various musical styles co-existed: the old polyphonic style and the new Baroque monody. Laus Polyphoniae presents the music dating back to before 1618: from ethereal Gregorian chants to sumptuous polyphonic pieces. The new musical styles and genres of the Baroque, on the other hand, can be heard in abundance in the autumn: secular operas, religious cantatas and instrumental music.
Antwerp Baroque 2018. Rubens inspires has given the people of Antwerp three new altarpieces by Jan Fabre for our concert hall, the former St. Augustine’s Church. They are sure to add extra lustre to the concerts In 2018, the Baroque will sparkle and resound in all its glory, more intensely than ever.